The traditional carnival marches were the most played during Momo’s party in Brazil in the last five years. The survey was carried out by the Central Office of Collection and Distribution (Ecad). The lead was taken by Mamãe eu Quero, by Jararaca and Vicente Paiva. In second and third place, appear Me Give a Money There, by Ivan Ferreira, Homero Ferreira and Glauco Ferreira, and A jardineira, by Benedito Lacerda and Humberto Carlos Porto. In fourth and fifth position are Cabeleira do Zezé, by João Roberto Kelly and Roberto Faissal; and Marcha do rower, by Castelo and Antonio Almeida. They follow, in order: Your hair does not deny, by João Valença, Raul Do Rego Valença and Lamartine Babo; Allah-la-ô, by Haroldo Lobo and Antonio Nassara; Ta-hi, by Joubert de Carvalho; Wonderful City, by Andre Filho; Indian wants a whistle, by Milton de Oliveira and Haroldo Lobo; Cachaça, by Lucio de Castro, Heber Lobato, Marinosio Filho and Mirabeau; Sapatão Maria, by João Roberto Kelly, Carlos, Chacrinha and Leleco; Marcha da cueca, by Celso Teixeira, Livardo Alves da Costa and Carlos Mendes; Who knows, knows, by Jota Sandoval and Carvalinho; Corkscrew, by Zé Da Zilda, Zilda Do Zé and Waldir Machado; Vassourinhas, by Batista Ramos and Mathias da Rocha; Sassaricando, by Luiz Antonio, Candeias Jota Jr., Castelo and Mario Gusmão Antunes; I don’t want money, by Tim Maia; We the bald ones, by A.Marques Jr. and Roberto Roberti; and, in twentieth place, Mulata iê iê iê, by João Roberto Kelly. Campaign Ecad is campaigning to reinforce the importance of paying copyrights for public performance in events and concerts held throughout the country during Carnival. Entitled With music, the revelry gets better, the campaign aims to clarify, for those who use music, the importance of prior licensing, which will remunerate those who make their living from music. The campaign is aimed at music users, event promoters, dances and blocks. On the official website of the institution, all the information on how the licensing of events should be done can be obtained. The distribution of copyright includes authors, performers, musicians, publishers and phonographic producers. The identification of songs is carried out by Ecad through recordings of carnival events and popular festivities, including dances held before and after the carnival period, in addition to the use of musical scripts sent by event promoters to the institution. In the last carnival held in Brazil without the health restrictions imposed by the covid-19 pandemic, in 2020, ECAD distributed R$ 24 million in copyright to more than 14 thousand artists.
Agência Brasil
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